On Saturday February 18th Glow Lounge hosts its biggest event yet!

Glow Lounge transports you to New Orleans with a huge Mardi Gras celebration like no other. We have internationally recognized DJs Scotty Boy and Charles Feelgood playing from a DJ float, New Orleans style Food and Drinks, a Bead Contest with a $500 Prize and more..

Berry Bly productions presents...

Mardi Gras at Glow

Featuring..

DJ Scotty Boy
Charles Feelgood

and opening DJ Mason Rothert

+ a Contest for the Most Beads with a $500 Prize
New Orleans style Food and Drinks

Doors open at 8pm, 21+

VIP information and General information

call 310-448-4815 or email: vipservices@glow-bar.com

About Scotty Boy:

His talent for mixing 80’s, house and rock caught the attention of 106.7 KROQ-FM and launched his L.A. club career into high gear. Scotty could be seen fronting KROQ’s biggest club nights, then transition to opening for bands like Depeche Mode, Lords of Acid, Crystal Method and Tool (just to name a few)

For most of the 90’s you could catch Scotty Boy’s Saturday Night Mix Shows on L.A.’s KROQ, San Francisco’s LIVE 105 and 103.9 Party Radio in Phoenix.

By 2001, Scotty was ready for a fresh scene and new opportunities. Las Vegas came calling, and he answered. While making his name as an On Air DJ personality with X107.5, Scotty saw that the Vegas club scene was about to explode. Eager to be a part of it, he soon emerged as the Resident DJ for the ultra hip Ghostbar at the Palms Hotel and Casino.

In 2003 he went on to open the flagship of Vegas Ultra Lounges, Tabu at the MGM Grand. Scotty Boy’s passion for house music evolved from deep and soulful at the Ultra Lounges to the pulsating electronic sounds of the Las Vegas Afterhours. After 3 years at the infamous Drais Afterhours, he is now the resident at the new #1 Afterhours, Late Night Empire. He is also the resident DJ at the world famous Rehab pool party Sundays at The Hard Rock Hotel. Scotty Boy’s Las Vegas residencies have also included Godskitchen @ Ice, Pleasuredome @ RA, Body English @ The Hard Rock, Jet at The Mirage, Tao & Vivid at The Venetian and Cherry at Red Rock Hotel & Casino. At the beginning of 2006 he was voted “Best Local Resident DJ” at the Las Vegas Nightlife Awards.

Scotty Boy is currently the weekly Saturday Night resident @ Fluid Ultra Lounge in San Francisco. As for radio you can listen to his “Mash Up Mix Show” Saturdays at 9pm (Pacific Time) in San Francisco on Energy 92.7-FM and in San Jose on Channel 104.9 FM. His House Sets can be heard every Friday at 8pm (Pacific Time) on BPM ch.81 on XM Satellite Radio. You can find Scotty Boy’s remixes on iTunes and has 3 Mix CD’s on UBL Music in stores everywhere.

Scotty is also a reporter for Billboard Magazine’s Dance / Club Chart. He holds down monthly residencies in L.A., Chicago, San Diego and Omaha.

About Charles Feelgood:

Revered for his role in the birth of the electronic music scene in the Baltimore/ Washington DC area, Charles Feelgood (born Charles Fields) has earned a stellar reputation as a top-flight DJ in the international dance music community through his ingenious mixing skills and dynamic brand of funky disco house.

Feelgood grew up listening to Motown, disco and funk: genres that have all heavily influenced his personal style as an artist. “I used to stay up late listening to my dad play records and decided that was what I wanted to do,” he says. Listening to 70’s dance music and later to 80’s industrial music, Feelgood began purchasing 12” records while still in high school. His first foray into the world of dance music was in the late ’80s, throwing small-scale parties under the name “House of Fields.”
An integral part of the Baltimore/DC style since day one, the Baltimore native is often credited with putting his local scene on the house music map. Influenced by everyone from the Basement Boys and Wayne Davis to bands including Erasure, Style Council, Pet Shop Boys, and Squeeze, Feelgood joined forces in 1992 with another major musical influence, fellow DJ Scott Henry. The duo launched Fever, a club event that introduced the sounds of electronic music to the city. The first event of its kind in Baltimore/DC region, the night exploded in popularity almost immediately, attracting upwards of 2500 people per event. Featuring such top-notch, internationally renowned stars as Paul Van Dyk and Carl Cox, the biweekly event successfully ran until May of 2001.

Maintaining a seven-year residency at Fever helped springboard Feelgood’s eminently danceable brand of bangin’ house to widespread acclaim throughout the country. His popularity quickly grew, thanks in part to his legendary series of mixed tapes, “Time to Get Ill,” showcasing his sets with Scott Henry at Fever. “My side was housey and Scott’s was always a kind of funky techno or progressive house. We did ten volumes – to this day I don’t think I have all the releases,” Feelgood notes. On the heels of his residency and successful mix tape series, Feelgood developed a heavy touring schedule that regularly took him to famed clubs such as Sound Factory, Spundae, Shampoo, and Crobar, along with numerous other venues throughout Europe, Asia and South America.

Constantly in demand all over the world for his ability to light up dance floors with his disco-flavored sets of funk-drenched house, Feelgood has received numerous accolades in his fourteen-year career. These include being named Baltimore’s Best DJ, and inclusion in the top 40 of BPM Magazine’s 2002 Top 50 DJ List. Adored by so many, the man who loves cars and thrift stores can’t help but beam, “I love my job.”

According to Feelgood, “I definitely try and take the listeners on a musical journey – I like to start out slow and funky and push for a harder ending, a continuous rise.” “I’m far from a purist,” he adds. “I incorporate many styles into a single set. I play everything from disco-influenced house to a cappella tracks and tech house, and I especially love bootlegs.” But despite the immense popularity and critical acclaim his mixed CDs have received, he still prefers to produce original records for the artistic freedom it allows.

The consummate dance floor rocker, Feelgood sums up his musical mission in one sentence: “I just want what the name implies, to make people have a good time and go home with a great feeling.”